摘要
新实践美学既要告别传统实践美学,又要告别后实践美学,走自己的路。新实践美学根据马克思主义创始人的原著对于实践概念本身进行了开掘,但是,其核心仍然是物质生产。物质生产制约着精神生产和话语实践,审美活动就是在它们之中超越出来的。新实践美学要建设的是审美的家园,而不是历史的或审美的乌托邦,因为它立足于现实的实践,而不是主体间性的精神活动。新实践美学揭示了,人之所以需要美,是实践使人的需要由实用需要上升为审美需要,美是实践之中人的生存和发展的必然产物。新实践美学在运思上是回到现实的生活本身,在方法论上是以历史唯物主义的元方法为基础,充分运用各种学科方法和各种具体方法,建设以马克思主义实践唯物主义为指导,以中国传统美学为本根,综合西方美学精华的,中国特色的当代美学。
The new practical aesthetics should say farewell to both the traditional practical aesthetics and the post-practical aesthetics and follow its own way. Based on the original works by the tounders of Marxism, the new practical aesthetics developed the concept of practice. However, its core is still material produce, which restricts the spiritual produce. The new practical aesthetics should build the home for appreciation of the beautiful, not a historical Utopia, because it is a practice based on reality and is not an objective activity. It reveals that aesthetics appears when the practical need of humankind is upgraded to appreciate the beautiful, thus aesthetics is the evitable product of humankind in the course of survival and development. Based on reality, with the primary method of historical materialism as its methodology, making full use of various subjects, guided with Marxism practical aesthetics and absorbing the cream of traditional Chinese and the western aesthetics, the new practical aesthetics is a modern one with Chinese characteristics.
出处
《吉首大学学报（社会科学版）》
2006年第1期105-109,共5页
Journal of Jishou University(Social Sciences)
关键词
新实践美学
实践
审美家园
中国特色当代美学
new practical aesthetics
practice
home for appreciation the beautiful
modern aesthetics with Chinese characteristics
