摘要
美学家普遍认为“美是人的本质力量的对象化”,而这一命题在当代语境中受到普遍质疑,美的创造、自由特质正在逐渐消失,美更多地成为人们消费的对象,成为世俗化的产物。审美经验的可预测性更加重了美的世俗倾向,使美降低到形而下的层面,使美本身成为审美主体的异己力量。
Aesthetician believes that aesthetic is the display of human＇s essential strength over objects. Nevertheless, this statement is commonly questioned in contemporary context with the opinion that the creation and free feature of aesthetic are disappearing and aesthetic is mainly becoming people＇s consuming objects and worldly products. The prediction of aesthetic experience further emphasizes the worldly tendency of aesthetic and makes the aesthetic descend on superficial and lower layer. Aesthetic itself becomes a kind of exclusive strength for the enjoyer.
出处
《咸阳师范学院学报》
2006年第1期45-47,共3页
Journal of Xianyang Normal University
关键词
想象力
创造力
自由
审美经验
imagination
creation
freedom
aesthetic experience.
