摘要
儒家文艺思想作为儒家思想体系的一个重要组成部分,它在20世纪中国的命运正如儒家思想的开创者孔子的命运一样,在不断被阐释的过程中显示出其独有的魅力,但被误解、被扭曲,甚至被彻底否定或尊为至高无上的情形也多有出现。它对20世纪中国文艺学体系的建构也起着重要的作用。20世纪对儒家文艺思想的研究实际上是对研究对象的阐释与创造的过程。儒家文艺思想的研究分三个阶段,每一阶段由于受时代的政治、经济、文化等的影响其研究的具体对象与结论都表现出各自不同的特点。
As an important part of the whole Confucian ideological system, the Confucian literary idedogy, whose fate in the 20^th century is just like that of its founder, Confucius, shows unique fascinations in the process of being interpreted. But at the same time ,misunderstandings, distortions, even total negation and extreme honor often appear as welL The ideology also plays an im- portant role in the construction of Chinese poetics system in the 20^th century. The studies of the ideology in the 20^th century is actually the interpretation and creation of the objects being studied. There are three phases of the studies, and in each phase the specific objects and conclusions reveal their respective characters under the influence of political, economic and cultural conditions of the times.
出处
《文史哲》
CSSCI
北大核心
2006年第2期75-81,共7页
Literature,History,and Philosophy
基金
国家社科基金项目"20世纪的儒家思想研究"成果之一
基金编号:02EZS003
关键词
儒家文艺思想
阐释
创造
阶段
Confucian literary ideology
interpretation
creation
phase
