摘要
黑格尔的“美就是理念的感性显现”这一美学论断本身包含了艺术美的定性过程。理念是真是美也是善,要符合道德的要求。因此,艺术美的定性也必然地显示出深刻的伦理内涵。黑格尔在理想的定性中对这一问题进行了辩证的阐述。理想的定性,单就它本身来看,表现为“神性—伦理”的演化,也就是伦理内涵的演化;就动作或情节来看,表现为伦理实体在“情况—情境—情节”,伦理内涵表现为这一过程中发生的分化、冲突及其艺术价值。黑格尔艺术美定性的伦理内涵昭示了艺术的伦理道德价值,这在当前伦理观念发现剧烈变化、艺术创作中的伦理道德底线一再下降的时期,无疑具有很好的现实意义。
Hegel's statement "Beauty is the sensational embodyment of Notion" contains the quanutanon course of artistic beauty. Notion, true, beauty and kindness, must correspond to the requirements of moral. So, the quantitation of artistic beauty inevitably shows deep ethical connotation. Hegel has made dialectic discussion. The quantation of notions displays itself as the evolution from god to moral ,which is at the same time the ethical connotation evolution. In terms of its. actions or spots, it shows the ethical subject evolves from situation to episode to situation, while its connotations become the division,constrast and artistic value during this course. The ethical connotation of Hegel's quantitation of artistic beauty shows the ethical value of the morals, which will have good sighificance in the period during which great changes have taken place in the moral values and moralvalue declined more and more.
出处
《湖北民族学院学报(哲学社会科学版)》
2006年第1期97-100,共4页
Journal of Hubei Minzu University:Philosophy and Social Sciences
关键词
艺术美
定性
伦理内涵
黑格尔
美学
artistic beauty
quantitation
ethical connotation
Hegel
aesthetics