摘要
以J.L.Austin的言语行为理论及J.R.Searle的间接言语行为理论为理论框架,以莎士比亚的悲剧代表《哈姆雷特》作为文本,来说明具有双重语境的戏剧反讽可以从微观言语行为(剧中角色之间的言语交流)和宏观言语行为(剧中人与观众的信息交流)的角度来解读,并证明作者与剧中人物及剧中人物之间的反讽与日常生活中的反讽一样,也可在言语行为理论框架中得以诠释。
This paper intends to make an application of Austin＇s Speech Act Theory and Scarle＇ s Indirect Act Theory to the interpretation of dramatic irony in Hamlet, which is one of the basic features of the play. This interpretation is done from the perspectives of the macro - speech act （the communication between the dramatis personae and the audience） and micro - speech act （the communication between the dramatis personae in the play） to explore the double context feature of dramatic irony and to understand the intention of the dramatis personae. The investigation demonstrates that, like the irony in our everyday life, dramatic irony can also be described in the framework of speech act.
出处
《长沙大学学报》
2006年第3期85-87,共3页
Journal of Changsha University
