摘要
遗民杂剧是清初杂剧的重要构成,其主要集中于历史题材的创作,通过对历史题材的建构达成对现实的反观和批判。遗民作家之心态映现于杂剧作品之中,表现为对历史事实的重写,如对时间、人物及题名等的改写等等,“托体稍卑”的杂剧文体因之拥有了“经国之大业”的地位和价值。遗民杂剧作家及其创作乃一种不可忽略的文学史现象。
The miscellaneous dramatizing of adherents to the former dynasty formed an important part of the miscellaneous dramas of the Early Qing Dynasty.It focused on the works of historical themes, by the structure of which it managed to reflex and criticize on the reality. The state of mind of adherents to the former dynasty was mirrored in the those miscellaneous dramas which were usually the rewritings of historical facts, such as the alternations of time, characters and titles or headlines, etc.. The humble genre of miscellaneous dramas has inasmuch gain the position and merit of 'a grand career for governing the country' (经国之大业) . The miscellaneous dramatic creation of the adherents to the former dynasty was an assignable phenomenon in our literary history.
出处
《文学遗产》
CSSCI
北大核心
2006年第3期101-109,共9页
基金
本论文属国家社科基金<清代杂剧研究>阶段性成果
项目批准号05BZW026。
关键词
杂剧创作
遗民心态
历史题材
价值观念
历史地位
Early Qing Dynasty, adherents to the former dynasty (遗民), miscellaneous dramatic creation
