摘要
中国现代诗学是诗学史上承前启后的一个短暂而重要的阶段,学说观点复杂众多,初步形成了“人生与艺术”、“古典与现代”、“本土与西洋”三组具有某种对应性的诗学理论(主题)范畴,而20世纪20年代前后关于“人生与艺术”问题的讨论和论战无疑是中国现代诗学史上的第一话题。传统的文学史观念往往将这一问题局限在“文学研究会”与前期“创造社”的争论中,其实这一论题有门户之见的宗派根源,更具有诗学意义的重要性和覆盖性,反映了中国现代诗学理论初级构建中的理性与非理性过程。
Chinese modern poetics is a short but important period which combines traditional heritage and contemporary contributions and witnesses flourish of academic thinking. In this stage, there came three corresponding pairs of poetic theories （subjects）--＂life and art, classicality and modernism＂ and ＂localism and Occidentalism＂, among which ＂life and art＂ was most widely and fiercely debated around the 1920s. The traditional literary history always confines the argument of ＂life and art＂ to the scope of debate between ＂Literature Research Committee＂ and the former ＂Creativity Organiza- tion. ＂ This essay presents that the proposition of ＂life and art＂ not only has its root in literary factions, but also carries remarkable importance and universality in poetics, which reflects the process of rationalism and irrationalism in the early theoretical formation stage of Chinese modern poetics.
出处
《四川大学学报（哲学社会科学版）》
CSSCI
北大核心
2006年第3期75-81,共7页
Journal of Sichuan University：Philosophy and Social Science Edition
关键词
“五四”新文学
现代诗学
诗学史
中国
for life
for art
May Fourth New Literature
modern poetics
