摘要
大巧若拙是中国美学的重要命题。这一命题包含去机心重偶然、去机巧重天然、去机锋重淡然等内容,体现出中国美学师造化、轻人工的理论倾向。中国美学还将拙视为生命存养之方,强调回复生命的本然境界,它是传统美学颐养心性理论的组成部分。中国美学民族特点的形成与这一命题有密切关系,它对中国美学的历史发展也有影响作用。
An important proposition in Chinese aesthetics has it that a wise man often appears slow-witted. This proposition constitutes an important part of the theory on the cultivation of the mind, which values fortuity rather than plan, natures rather than art, and spontaneity rather than keenness, etc. The forming of the national characteristics of Chinese aesthetics is closely related to this proposition.
出处
《北京大学学报（哲学社会科学版）》
CSSCI
北大核心
2006年第3期33-41,共9页
Journal of Peking University(Philosophy and Social Sciences)
关键词
大巧若拙
机心
机巧
机锋
平淡
Wisdom disguised as slow-wittedness
keenness
spontaneity
