摘要
新中国成立以后,演唱艺术理论的基本建设具有明显的开拓性,中国当代音乐表演艺术理论的研究首先就是从声乐表演艺术领域起步的。
Since 1949, great progress has been made in the research of voice performing arts. It is the theoretical study in the field of voice performing arts specifically that activated the study of contemporary musical performing arts in general.
出处
《星海音乐学院学报》
2006年第2期78-84,共7页
Journal of Xinghai Conservatory of Music
关键词
土洋之争
三种唱法
中国唱法
声乐表演艺术理论
Controversial Positions
＂Native vs. Foreign＂
Chinese Approach of Singing
Theoretical Study for Voice Performing Arts
