摘要
作为阎连科的一部重要作品,《日光流年》具有一种标本的价值。从本质上说,阎连科知识分子与农民身份的二重性决定了其乡村小说的基本情感色调是多色杂糅的,它又影响到这些小说的叙事方式和审美特征,如神话模式、苦难意识、“方言”的关注以及狂欢话语等,这些特征都在《日光流年》中有所体现,它们共同构建了阎连科小说的叙事美学。
As an important work of Yan Lian - ke, RiGuang LiuNian has a representative value. Naturally, it is his duality of intellectual and peasant that determines the basic variegated emotions of his country novels giving rise to their narrative methods and aesthetic features, such as mythological features, miserable consciousness, concern with dialect and carnival in RiGuang LiuNian which constitute the narrative aesthetics of Yan＇ s novels.
出处
《平顶山学院学报》
2006年第3期28-31,共4页
Journal of Pingdingshan University
关键词
《日光流年》
苦难
神话
方言
狂欢
叙事美学
RiGuang LiuNian
misery
myth
dialect
carnival
narrative aesthetics
