摘要
宏村古民居“承志堂”是徽州古民居的代表,其装饰上最大的特色是它拥有许多木雕艺术珍品。而其中一件木雕精品,一直被众多导游及各种版本的书籍错误地解说为《百子闹元宵》或《百子图》。根据有关资料的考证和对作品雕刻内容的重新解读与分析,笔者认为这是一件表现我国古代“跳加冠”礼节习俗的全景图,它为我们民俗学的研究提供了一份难得的实物资料,因而是一件十分珍贵的木雕作品。
As a representative of ancient folk buildings of Huizhou, Chengzhi Tang , seated in Hong Village , most features with a host of precious wood sculptures as decorations, one of which has always been mistaken as children in Lantern Festival or Children by most tourist guides and various books. However , according to references of certain Literature and a new appreciation and analysis of its content , this piece of art is believed to be a panorama of Tiaojiaguan （a custom in ancient china） and supplies an unusual actual material for our custom research , and therefore , is a piece of extremely precious sculpture.
出处
《安徽建筑工业学院学报（自然科学版）》
2006年第4期53-54,共2页
Journal of Anhui Institute of Architecture(Natural Science)
关键词
承志堂
木雕
跳加冠
Chengzhi Tang
sculpture
Tiaojiaguan
