摘要
本文探讨了嵌入式叙事模式在两部荒诞派戏剧经典名作贝克特的《克拉普的最后一盘录音带》和阿尔比的《动物园的故事》中的共性和特质,指出这一叙事策略的不同形态在两剧中的诗性特征。本文试图揭示在这两部荒诞派剧作中,诗意的叙事策略和多维度的象征主义的舞台形象一同构成了戏剧作品的诗意表达。
This paper is a study of narrative embedding, which, as a rewarding method of plot construction in narrative texts, constitutes an important component in the poetic presentation of theme on the Absurdist stage. The paper analyses different forms of narrative embedding in two Absurdist plays, i. e. , Samuel Beckett＇s Krapp＇s Last Tape and Edward Albee＇s The Zoo Story, in an attempt to show the poetic characteristic of this narrative strategy in application to the two plays.
出处
《浙江师范大学学报（社会科学版）》
2006年第5期28-32,共5页
Journal of Zhejiang Normal University(Social Sciences)
