摘要
本文从三个方面初步探讨少数民族题材在油画创作中的历史、现状及发展趋势:与生俱来的宗教性、世代相传的民俗性,使得少数民族油画艺术有丰富的文化意蕴;走过历史的辉煌,如今少数民族题材在油画创作中呈现出一种平缓发展的态势;少数民族油画应将传统与现代,民族与社会紧密结合起来,多角度全方位思考、认识、研究民族文化的现代性。
In this article we will discuss the history, current situation, development of minorities' materials religious and national features transmied from one generation to another gengeration in the minorities, which make minorities, oil-painting arts significant. A stable situation of minorities works has assumed .In minorities, oil -painting works, we should combine traditional materials with modernities, combine nation ality with society, consider, recognize and research the modenity of minorities, cultures from all-round angles.
出处
《西昌学院学报(社会科学版)》
2005年第1期154-156,共3页
Journal of Xichang University:Social Science Edition
关键词
少数民族
油画
创作
应用
Minority
Oil-painging
Works
Application