摘要
空间,作为声音的一个构成要素,在一些传统音乐作品中已被使用,但由于受当时技术条件等的限制,在作品中未形成较为成熟的空间思维。后来,在一些现代音乐作品中,空间的概念被广泛使用,逐渐形成了创作中较为成熟的空间思维。作为现代音乐的分支的电子音乐,在这种观念的影响和技术的作用下,将空间思维在作品中加以“强化”和“突出”,形成了电子音乐中的两种空间思维静态多维空间思维和动态运动空间思维。
As a structural factor of sound, even the space has been used in some of normal music work, but it did not become mature spatial thinking since the restricted with technique then. Afterward, the conception of space used in some of modern music abroad, and grew up to the spatial thinking in composition. As a branch of modern music, the electronic music strengthen and prominent the spatial thinking, and divided into two kinds： multidimensional spatial thinking in static state, kinetic spatial thinking in dynamic.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2006年第4期21-25,共5页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
电子音乐
空间
空间思维
静态多维空间思维
动态运动空间思维
electronic music, space, spatial thinking, multidimensional spatial thinking in static state, kinetic spatial thinking in dynamic
