摘要
审美言说使人与自身、与外部整体世界形成一种对话关系,并确立了审美活动中主客体间的平等交流关系;包括“一切活动和行为”在内的实践活动,既是关系性的也是超越性的,关系性使人既成为个体的也成为社会的人,超越性使人在自由创造中打开了通往审美的理想之路。在西方美学框架内展开的生命美学的言说方式,并未向人们昭示出全新的美学意义,没能真正架通人生现实与审美理想之间的精神桥梁。
Aesthetic speech makes person form a dialogue relationship between person and oneself, person and the outside world. And, it also establishes equal exchange relations in aesthetic activity between subject and object. Practices are relative as well as transcendent. The former makes person being individuality and sociality, and the latter makes person break through a way to freedom creation. The way of speech of life aesthetic hasn＇t made clear to all, and hasn＇t set up a real spirit bridge between life reality and aesthetic ideal.
出处
《西北师大学报（社会科学版）》
CSSCI
北大核心
2006年第6期93-97,共5页
Journal of Northwest Normal University(Social Sciences)
关键词
美学言说
实践超越
王国维
鲁迅
生命美学
理论“霸权”
aesthetic speech
the surpass of practice
Wang Guowei
Luxun
life aesthetic
theory hegemony.
