摘要
1979-2005年中国城市电影研究主要以综合论述、个案分析的方式展开,对城市电影创作进行了全面的阐释,从一个重要的侧面折射出中国当代电影理论与批评曲折发展的进程;海外相关研究给我们提供了新的视角,具有方法论上的启发意义;如何在中国电影文本与西方文化资源之间寻找到一个最佳平衡点,是研究能否真正获得突破的关键所在。
The research on city movies in China （1979 -2005 ） , characterized by general surveys and case analyses, attempts to offer an overall interpretation of how city movies are created. This has, to an important extent, reflected the zigzagging progress made in contemporary Chinese movie theories and criticisms. Relevant research outside China has offered us new perspectives that prove methodologically enlightening, but a breakthrough in this field lies in how we can find the best compromise between Chinese movie texts and Western cultural resources.
出处
《浙江师范大学学报（社会科学版）》
2006年第6期106-111,共6页
Journal of Zhejiang Normal University(Social Sciences)
