摘要
文化在音乐中的自我复制是文化影响音乐的一个重要机制。文化作为一种模式来自人对环境的应战,而在应战中所体现出的方式会以一种经验被首选为处理新问题的方案,形成文化传承的连续性。由此而来的文化复制可分为三种类型:来自观念的复制、来自形态的复制和来自工具的复制。由于文化复制本身是在延续性中包含着变异性,故所带来的不是单一体,而是包含着丰富性和多样性的复杂整体。因此,文化不存在一个统一的特征,而只是一种“家族相似”。
Cultural self-reproduction in music shows its important influence on music. As a mode, culture comes from people＇s response to the condition. Such culture will be first chosen as an experience and a new way to deal with new problems so as to make it continued. So there are three types of culture reproductions which come from the view, formation and instrument. Because of its continuity and variability, cultural reproduction does not bring singularity. It is a complex whole with diversity and variety. Therefore Culture has not a uniform characteristic but only a ＂kindred＂,
出处
《乐府新声（沈阳音乐学院学报）》
2006年第4期29-33,共5页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
关键词
文化复制/延异性/“家族相似”/音乐文化
cultural reproduction / continuity and variability / ＂kindred＂ / culture of music
