摘要
许多证据表明,淅川下寺楚墓出土铜禁禁体四周花纹是用失蜡法分段制作再合范铸造的。春秋中晚期发展起来的失蜡法解决了铸造更为复杂的多层次的青铜器问题,把青铜器铸造推向又一个高峰。
According to some proves, the flower patterns on the body of the bronze Jin unearthed in the tomb of Chu state in Xichuan county were casting by the lost wax process. The technique developing in the middle and late phase of Spring and Autumn Periods solved the complex problem which casting a lot of exquisite bronzes, so the technique put the manufacture level to another pinnacle.
出处
《中原文物》
北大核心
2006年第6期84-91,共8页
Cultural Relics of Central China
关键词
失蜡法
青铜器
铜禁
铸造工艺
lost wax process
bronze
bronze Jin
casting technique
