摘要
《诗法论》是翁方纲诗学专论中重要的一篇,代表着作者对诗法问题的总看法。本文联系作者其他言论,对文中诸多难点和矛盾之处加以阐述。翁方纲对诗法的总观点是有法而无定方,重复了诗法论的传统观点;他把诗法为“正本探原之法”和“穷形尽变之法”,而对其意义的阐述又有矛盾之处,本文认为这一矛盾正反映中国诗法论的固有特征。翁方纲《石洲诗话》历代诗歌的分析,正是以“穷形尽变”之法进行诗歌“肌理”批评的实践范例。
This article is a explanation to ＂On the Techniques of Poetry＂ which is an important thesis of Weng＇s poetic. Weng Fang-gang considered that ＂Technique＂ lles between the intended and the unintended and it does not permit minute craft or forced used. He also thinks that the technique can be divided into two levels： the rules from the source of poem and the techniques for change. The letter is fully analyzed in his ＂Shizhou poetry talks＂.
出处
《宝鸡文理学院学报（社会科学版）》
2006年第5期63-67,共5页
Journal of Baoji University of Arts and Sciences：Social Science Edition
关键词
诗法
肌理
正本探原
穷形尽变
《石洲诗话》
the technique of poetry
the texture of poem
Shizhou poetry talks
