摘要
单声复调是二十世纪西方现代音乐中最为新颖和最具典型的一种复调性织体形态,其中蕴含的理论意义和应用价值尤显突出,值得特别关注。文章通过对有代表性的现代作曲家及其作品中单声复调的思维规律、技术来源和构成方法加以分析、比较和探讨,以期对我国当代音乐创作及其复调技法的应用有所助益。
The monophonic counterpoint is a new and typical counterpoint texture pattern in the West modern music in 20th century. Through analyses and discussed the representative modern composers with their monophonic counterpoint works, the paper discussed their rule of thinking, sources of technique and method of composing, try to help the Chinese musician using the sill of counterpoint in their modern music composition.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2007年第1期10-22,共13页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
单声复调
现代音乐
复调思维
织体构成
单声性
monophonic counterpoint, modern music, thinking with counterpoint, texture composing, monophony
