摘要
本文从音乐音响产生的基本概念入手,将音响还原到单音状态,分析了音高、节奏、音量在深层次上的共同根源,并以此推导出三者存在相互转化的可能,从而揭示在音乐艺术中整体并不等同于单个个体的简单相加,而二度创作空间从单音的发音到分句的划分也同样存在无穷的可能,也由此决定了人的感性参与的重要意义,它们的创作空间是主客观的共同作用。
Starting from the basic concept for the production of musical sound, the essay reduces the sound to its single tone, analyzes the common origins of pitch, rhythm and volume on the deeper level, and thereby derives the potential of the transformation among the three, revealing the truth in the art of music that the whole is not equal to the simple addition of all individuals.
出处
《音乐艺术（上海音乐学院学报）》
CSSCI
北大核心
2006年第4期59-64,共6页
Art of Music(Journal of the Shanghai Conservatory of Music)
