摘要
“空”是佛教哲学的根本概念和核心范畴。在佛教东渐并中国本土化的过程中,作为美学范畴的“空”逐渐产生,并具有了独特的理论特征和丰富的表意内涵。本文对美学范畴之“空”做了理论的渊源梳理,并揭示作为美学范畴“空”在审美构想、审美创造和审美欣赏三个领域以及审美意象、审美意境和审美功能三个方面所具有的意义。
＂Sunya＂ is the basic notion and central catalogue of Buddhism philosophy. When Buddhism is brought to the East and localized in China, ＂sunya＂, as an aesthetical catalogue, is gradually coming into being. At the same time, ＂sunya＂ has the unique theoretical characteristics and rich connotation. The paper attempts to comb the theoretical origin of ＂sunya＂ and promulgate the significance of the aesthetical catalogue ＂Sunya＂ in the three fields of aesthetical conception, aesthetical creativity and aesthetical appreciation, and in the three aspects of aesthetical image, aesthetical realm and aesthetical function.
出处
《中国文学研究》
CSSCI
北大核心
2007年第1期12-16,共5页
Research of Chinese Literature
关键词
般若
空
审美意象
审美意境
审美功能
prajna
sunya
aesthetical conception
aesthetical realm
aesthetical function
