摘要
当代文学批评理论范式经历了从意识形态批评、后现代主义批评到文化研究的嬗变。将“文化研究”(cultural studies)放在当代文学批评理论范式的演进历程中来看,它作为经由意识形态批评、后现代主义批评而实现的一个“正题—反题—合题”的辩证综合过程的结果,与中国当代文学的文化处境相关。因此,具备总体性视野与一种正向的、综合的力量的“文化研究”带有了“存在论”与“人类学”的性质,这样也使得“文化研究”不仅具备“跨学科”的广度,同时具备探测人类存在的思想的深度。
Contemporary critical mode undergoes the evolution from ideological criticism, postmodernist criticism to cultural studies. In view of this evolutionary process, ＇cultural studies＇, as a result of dialectical synthesis, is related to the cultural situation of contemporary literature. It possesses an overall horizon and dialectical synthetic force, which not only has the range of cross-disciplines, but also is provided with the ontological depth.
出处
《山西师大学报（社会科学版）》
北大核心
2007年第2期92-96,共5页
Journal of Shanxi Normal University(Social Science Edition)
