摘要
红色原创剧的热播是近年来令人瞩目的一种文化现象。这种电视剧常用的文本策略主要有三种:亮点挖掘、感性重构和叙事移位。亮点开掘主要表现在对创作禁区的逐步突破和人物性格的深度开掘上,最终还必须实现深度叙事与主流或大众意义的弥合;感性重构主要指带有浓厚草莽气息的新革命英雄主义,但是在转型期的多元文化语境中,感性历史观的贯彻产生了诸多的意义裂痕;叙事移位指通过叙事时间的移位,一些电视剧展现了奇观化的革命人生形态,并对红色历史进行了温情的回望。由于反思维度的缺位,红色原创剧的思想和艺术资源正在日渐枯竭。
Hot transmission of the original TV plays about red revolution is impressive cultural phenomenon. There are three major narrative strategies used in this kind of TV plays： mining themes, emotional reconstruction of the history and narrative time shift. Mining themes mainly include gradual break- through to restricted creation zone and excavating the character depth. Finally the deep narration need to be sewed up with mainstream ideology or popular significance. The emotional conception of history used to construct revolutionary history is mainly a kind of new revolutionary heroism with thick greenwood qualiies. But in muhicuhural environment in reforming time, implementation of this conception of history causes some significance fissures. By shifting narrative time, some TV plays have unfolded the marvelous sight of revolutionary life shape and softheartedly reviewed red revolutionary history. Because of absence of reconsidering, the thought and the artistic resources of original TV plays about red revolution are drying up day by day.
出处
《江西师范大学学报（哲学社会科学版）》
2007年第1期25-31,共7页
Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)
关键词
红色原创剧
亮点挖掘
感性重构
叙事移位
original TV plays about red revolution
luminescent spot mining
emotional reconstruction
narration shifting
