摘要
南朝晋宋间的谢灵运重视赋的创作,我们可从一些零散的材料中窥见他的赋论:从他对赋的编纂和整理中见出他对赋的分析型思维方式的继承以及自觉对赋的总结和分类意识;强调“顺从性情,而以作赋”,并指出赋的功能主要是陶冶潜兴;赋在创作上重真实,尚“丽”“则”的倾向;认为作赋是不朽之事,提高了赋体文学的社会地位。
Xie Lingyun,in Nan Dynasty, attached importance to creation of Fu, which can be proved by his Fu theory in some scattered materials. Firstly, he inherited the analytical thinking mode and had consciousness of summary and classification in compilation of Fu. Secondly, he emphasized the way＂ creating Fu under one＇ s emotion＂ and pointed out Fu is mainly to mould one＇ s temperament. Thirdly, he pointed out the tendency to emphasize facts and beauty of words in creation of Fu. Finally he believed Fu could be lasting, and promoted Fu as a sort of literature in society.
出处
《宜宾学院学报》
2007年第4期9-12,共4页
Journal of Yibin University
关键词
谢灵运
赋学批评
顺从性情
重真实
崇尚“丽”“则”
托之不朽
Xie Lingyun
Criticism about Fu
Creating Fu under One＇ s Emotion
Emphasizing Facts and Beauty of Words in Creation of Fu
Lasting Fu
