摘要
电影的逼真性与假定性之间的关系主要表现在两个方面:一是电影艺术的本质属性在于它能实现“物质现实的复原”,能给人以栩栩如生的真切感。二是尽管电影给受众以时间与空间感受的真切感,但其假定性“即蒙太奇性”是普遍存在的。逼真性与假定性的有机统一,构成了电影艺术的坚实基础。
The relationship between realisticness and presumptiveness of films are mainly manifested in the following two aspects： on the one hand, the essential attribute of film art lies in the fact that it can realize ＂the restitution of the material reality＂, giving people a sense of vividness; on the other hand, although films provide people with a sense of vividness in time and space, its presumptiveness-its montage nature-is widespread. The organic unity of realisticness and presumptiveness form the solid foundation of film art.
出处
《南通大学学报（社会科学版）》
2007年第3期132-136,共5页
Journal of Nantong University:Social Sciences Edition
关键词
电影
蒙太奇
逼真性
假定性
films
montage
realisticness
presumptiveness
