摘要
智旭是天台教学史上最后一位卓有建树的佛学家,天台学说的终结性人物。他竭力回归和高扬由智顗大师所开创的台宗心灵美学的原初精神,全面、充分地拓宽和丰富了台宗“一念三千”说的内容和意义,并以“一念心”作为理论基础,以艺诠佛,折射出台宗审美的价值取向和文艺美学观点,为台宗心灵美学作出了贡献。
Ouyi Zhixu, the last outstanding Buddhist scholar in the academic history of Tiantai Sect and the final important figure of the Tiantai Sect theory, tries his best to return to and eulogize the original spirit of Tiantai psychic aesthetics initiated by the Great Master Zhiyi, expands and enriches comprehensively and adequately the content and meaning of ＂yi nian san qian＂ （ one idea encompassing the universe）, and interprets Buddhism with art on the theoretical basis of ＂yi nian xin＂ （an incidental idea）, reflecting its value orientation and aesthetic view on literature and art and contributing to Tiantai psychic aesthetics.
出处
《四川师范大学学报（社会科学版）》
CSSCI
北大核心
2007年第1期5-13,共9页
Journal of Sichuan Normal University(Social Sciences Edition)
关键词
蕅益智旭
天台宗
心灵美学
一念心
以艺诠佛
Ouyi Zhixu
Tiantai Sect
Tiantai psychic aesthetics
＂yi nian xin＂
interpretation of Buddhism with art
