摘要
本文通过对比、校对故宫博物院现藏的四种《兰亭图》拓本,全面详细地介绍了明代周王、益王刻《兰亭图》卷之体例、版本及其变迁;针对出现"潢南"和"仙原"这两种不同版本的益王刻大卷《兰亭图》,进行了考订与分析,厘清了清代内阁翰林校订益王刻《兰亭图》过程中出现的讹误,并指出其成因。作者还阐明永乐十五年(1417)朱有燉初刻大、小《兰亭图》卷,自万历二十年(1592)第三代益王又将此两图重新摹刻、补刻。
Through a comparison of four different rubbings of Illustration of Orchid Pavilion (Lanting Tu),the author presents a detailed introduction to the scrolls produced by the Prince of Zhou and the Prince of Yi in the Ming Dynasty and looks at the evolution of these editions. He studies and analyses the two different editions of Lanting Tu produced by the Prince of Yi;he ascertains that there were mistakes in the version authorised by the Cabinet Hanlin Academy and points out the problems with that edition.The author also elucidates the large and small scrolls of the work carved under the auspices of Zhu Youdun in 1417,and shows that in 1592 the third generation Prince of Yi also used these two editions to print his own.
出处
《故宫博物院院刊》
北大核心
2007年第4期142-155,共14页
Palace Museum Journal
