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云南少数民族题材影片的叙事模式 被引量:6

The Narrative Models of the Films on Yunnan Minority Nationalities
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摘要 云南以独特的自然景观、民族风情和历史文化成为文学艺术创作的乐土。新中国成立后,拍摄了多部以云南少数民族题材的影片,以政治性叙事、历史性叙事、情爱叙事、歌舞叙事为主要叙事模式,以期反映现实,形式与内容关联性强。近年来拍摄的有关云南少数民族题材的影片,则更注重对其生存状态和心理的表现和叙述。 Thanks to its unique geography, ethnic customs and histories and cultures, Yunnan has become a valuable inspiration for artistic and literary creation. Since the founding of the People's Republic of China, Yunnan has shot some films on Yunnan Minority nationalities with the political narrative, historical narrative, love-story narrative and si, nging-dancing narrative as the main models that have a close correlation between form and content and focus on reality. In recent years, such films pay more attention to the living conditions and psychology of Yunnan minority nationalities.
作者 张婷婷
出处 《云南师范大学学报(哲学社会科学版)》 CSSCI 2007年第5期138-140,共3页 Journal of Yunnan Normal University:Humanities and Social Sciences Edition
关键词 云南少数民族题材 叙事模式 民族风格 生存状态 themes on Yunnan minority nationalities narrative model ethnic style, living condition
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参考文献3

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  • 2李幼蒸.当代西方电影美学思想[M].北京:中国社会科学出版社,1986.
  • 3当代云南编辑委员会主编.当代云南简史[M].北京:当代中国出版社,2004.

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