摘要
有其历史的和现实的出场机缘的"新美学"在当下中国语境的变体"日常生活审美化",充当了消费主义意识形态的守夜人,表征了经典美学在大众文化时代的下坠和乏力。"新美学"只是做了时代的注脚,未能真正切中时代本质和担当起本有的历史使命。美学须在对历史的眷注中汲取力量,寻求"说话"机缘。
＂The Aestheticization of ordinary life＂is the variation of ＂New Aesthetics＇in contemporary China, which appeared with historical and realistic opportunity. It presents as the night watcher of the ideology of consumerism and represents the sinking and incapability of classical aesthetics in the epoch of popular culture. ＂New Aesthetics＂ only plays the role of footnote of our time, while it hadn＇t hit the point of the essence of out time, nor did it fulfill its task. Aesthetics should derive its power by concerning about the history and seek the chance of ＂utterance＂.
出处
《中国人民大学学报》
CSSCI
北大核心
2007年第5期131-138,共8页
Journal of Renmin University of China
关键词
大众文化
消费主义
新美学
视像
身体
popular culture
consumerism
New Aesthetics
visual image
body
