摘要
中国影戏的研究是在西方人文学术思想、学术理念,尤其是民俗学等的影响下开展起来的,但自其起始之初,人们对影戏民俗,以及影戏和民俗的关系并没有给予应有的重视。进入21世纪以后,学者对影戏民俗的研究渐多,但不少仍只是只言片语的记录,或是带着猎奇的心态略作描写,并没有进行深入地探讨;有的虽然可能就某一点做了深入论述,但却缺乏宏观、系统、全面的思索。文章通过对中国影戏民俗研究的论证,指出生存环境、生存价值和生存实践是影戏的生存要素。
The scholar in the first instance of 20th neglected studying of the custom of shadow play and the relation of custom and shadow play . Since the new century, there are a large of sraholars studying shadow play but many studying were skin -deep, some of them was profound but lack of a systemic, comprehensive thinking. After demenstrating the studies of custarn of shadow play, this paper argues that the existing environment, existing value and existing practices are the existing elements of Chinese shadow play.
出处
《重庆大学学报（社会科学版）》
CSSCI
2008年第1期98-101,共4页
Journal of Chongqing University(Social Science Edition)
基金
湖南省普通高校哲学社会科学重点研究基地"中国古代文学与社会文化"(湘教通〔2004〕284号)资助项目
教育部项目"我国皮影戏的历史与现状"(04JJDZH009)
关键词
中国影戏
影戏民俗
影戏研究
the Chinese shadow play
custom of shadow play
studying of shadow play
