摘要
旨在分析严歌苓小说《扶桑》一文中第二人称采用的意义,以进一步拓宽"第二人称"叙述效果的研究,通过集中分析第二人称"你"在《扶桑》一文中的主要存在形态和由此构成的关于扶桑故事的三个文本,指出由第二人称构成的叙述者与人物之间的对话实质上是一种元小说技巧,由此形成一种处于对话状态的"未完成的叙事",极具现代意识,并直接指涉文学文本的未完成性。
In order to expand the study on the second person pronoun＇s narative effect, an analysis is made on its significance in the novel ＂Fusang＂. By means of analysis for the three different existing forms of the pronoun ＂ you＂ and then the three different texts about Fusang, it is pointed out that the pronoun ＂you＂ makes up a dialogue between narrator and the character, which is a skill of metafiction. It leads to a no - ending narration, which can deepen our understanding on the nature of the literature text - no ending.
出处
《西北大学学报（哲学社会科学版）》
CSSCI
北大核心
2008年第2期47-50,共4页
Journal of Northwest University：Philosophy and Social Sciences Edition
基金
教育部人文社会科学博士点基金项目(03JB750.11-44020)
