摘要
西方的媒介文化研究始终贯穿着一条"反思现代性"的主线,其涉及的重要问题都直接地或间接地与现代性问题构成深刻的关联。在这诸多关联中,可选取"主体"这一问题作为研究对象。在媒介文化研究中,关于主体的探讨可以总结为两种观点:一,从启蒙的精英立场出发,断言媒介文化塑造了一种被动型主体,它代表了感性与理性的双重异化;二,超越启蒙的二元论思维模式,认为媒介文化促成了一种新型现代主体的出现。
Reflections on modernity have always been a mainline in the Western media cultural studies, and the relevant important problems all constitute a profound conjunction with medemity directly or indiroctly. In such conjunctions the question of subject may be focused. In media cultural studies, the study on subject can be summarized as two viewpoints. First, from the elite position for enlightenment, the media culture to mold a kind of figure of passive subject is affirmed. It represents duplex alienation of the perceptual and the rational. Second, surmounting the dualism thought pattern for enlightenment, the media culture is deemed to help bring about the emergence of a kind of figure of new modem subject.
出处
《厦门大学学报（哲学社会科学版）》
CSSCI
北大核心
2008年第3期28-34,共7页
Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)
关键词
现代性
媒介文化批评
主体型像
modernity, media cultural criticism, figure of subject
