摘要
元代燕南芝庵的《唱论》,记载了我国古代的歌曲题材、演唱形式及当时所流行的部分曲目;分析了从古代流传至当时的各种声乐演唱技巧,以及形形色色的歌曲和演唱者声乐演唱中存在的大量问题。它是我国一部集声乐之大成的史料性著作。联系当前民族声乐高度发展的状况,对这部史料性论著进行新的评介,旨在追根溯源,以求促进我国声乐艺术的发展。
In his Theories of Singing, Yannan Zhian of the Yuan Dynasty recorded the materials, singing styles, and popular music pieces of ancient Chinese music, analyzed various vocal music skills, and many other issues related to songs and their players throughout the ancient times. It is a historical work on various vocal music sources. This paper, against the background of current national vocal music development, reinterprets this historical work and traces its source to further the development of Chinas art of vocal music.
出处
《湛江师范学院学报》
2008年第2期116-118,共3页
Journal of Zhanjiang Normal College
关键词
杂剧
散曲
《唱论》
燕公楠
poetic drama
sanqu
Theories of Singing
Yannan Zhian
