摘要
新南曲在表演形式、题材与精神旨趣等方面都与传统的长阳南曲发生了较大的改变。作为一种发展的艺术,新南曲在推动长阳南曲走向世界的过程中发生了积极作用,但在另一方面它对传统长阳南曲的保护、发展与传承又可能造成一定的消极影响:新南曲作为一种舞台艺术,增加了传承的难度,新南曲对时代主流意识形态的迎合模糊了传统南曲的本来面目,在一定意义上取消了传统南曲鲜明的人文精神。
The new Nanqu is different from the traditional Changyang Nanqu in such aspects as performing form, subject matter and spiritual essence. On the one hand, the new Nanqu plays a positive role in the process of pushing the Changyang Nanqu globe-wide. On the other hand, it may bring about certain negative influence in the protection, development and inheritance of traditional Changyang Nanqu. As one kind of stage art, the new Nanqu increases the difficulty of inheritance and spreading. It caters to the mainstream ideological form of the times, which blurs the true picture of the tradition Nanqu and cancels the distinctive humanity spirit of the traditional Nanqu in a sense.
出处
《三峡大学学报（人文社会科学版）》
2008年第3期15-19,共5页
Journal of China Three Gorges University(Humanities & Social Sciences)
基金
湖北省人文社科重点研究基地三峡文化与经济社会发展中心开放基金重点项目"三峡民族文学研究"(2007KF03)
关键词
长阳南曲
新南曲
发展
Changyang Nanqu
the new Nanqu
development
