摘要
艾米莉.狄金森诗歌鲜明的音乐性众所周知,但一百多年来乏人研究。其诗歌的音乐特征由其诗歌中的音乐词汇、音乐性意象和音乐性形式在词汇、语意和语法三个层面上共同建构而成。具体而言,其诗中大量使用的音乐术语和乐器名称赋予了诗歌联想性的乐感;有声有色的鸟意象和纯音乐意象,以及乐律十足的赞美诗形式则直接赋予诗歌突出的音乐特征。
For 100 years, the striking musicality of Emily Dickinson＇s poetry has been widely acknowledged, but scarcely studied. The musicality of Emily Dickinson＇s poetry derives from the joint effect of its musical vocabulary, musical images , and musical form that operate respectively on lexical, semantic and grammatical levels. Specifically speaking, the numerous musical terminology and the names of musical instruments employed in her poetry add imaginatively musical quality to her poetry; furthermore, the bird images and pure music images with musical sound-effect, and the songlike hymnal form of the poetry all directly contribute to the outstanding musicality of her poetry.
出处
《华北电力大学学报（社会科学版）》
2008年第2期109-114,共6页
Journal of North China Electric Power University(Social Sciences)
基金
华南理工大学科研启动基金资助
