摘要
当代中国戏剧创作中的形式主义潮流,以游戏式的智力操作冒充艺术创新。这就迫使我们对审美形式创造和席勒提出的"游戏"说进行探本溯源的研究。
The formalism tide of play as art innovation. The of contemporary Chinese drama creation passes off the intelligent operation paper makes a research on the origin of aesthetic form creation and play assumption put forward by Schiller.
出处
《浙江艺术职业学院学报》
CSSCI
2008年第1期52-56,共5页
Journal of Zhejiang Vocational Academy of Art
