摘要
水墨山水艺术在语言的表现上从一开始就被打上了深深的地域特色的印记,本文正是从笔墨本体论这一角度出发,通过对大量水墨作品的分析整理以及对古今文献的考证,总结出水墨艺术创作中南北地域自然环境以及四季时令变化对水墨语言表现的影响,以期对今天的艺术创作有所启发。
The Ink-painting art has a history of more than 1000 years in our country, since its creation it replaced the former Color-painting and won people's favor. Reviewing the achievement of Ink-painting art of thousand years long, it's easy for people to discover that the language expression of Ink-painting art has ingrained regional characters. So this thesis, by analyzing a lot of Ink-painting and examining the ancient and current documents, from the perspective of Stroke and Ink ontology holds that the natural setting of south and north and the seasonal changes have a great influence upon the language of Ink-painting art so as to be inspiring for the current artistic creation.
出处
《艺术探索》
2008年第4期72-73,共2页
Arts Exploration
关键词
水墨山水艺术
笔墨语言
南北地域环境
Ink-painting art, stroke and onk language, setting of south and north area
