摘要
中国古代戏曲小说对卓文君故事中的"琴挑"与"私奔"两个情节进行了频繁的借鉴和模仿。在众多蹈袭中也有一定的发展变化——由"琴挑"生发出"传简"、将"私奔"最终改成媒妁姻缘。这种模仿改造,一方面说明了卓文君故事中原型模式的深远影响,另一方面也反映了特定审美习惯以及文化心理对于文学创作的潜在规约。
Scenarios of music allurement and elopement in the story of Zliuowenjun are frequently imitated and used for reference in Chinese classic operas and novels. Concerning these two scenarios, there were also some changes in the later literature works;for example, the loveletter delivery was developed from music allurement and matchmaker from elopement. These imitations and rewriting told us from one side the deep influence of prototype in the story of Zliuowenjun, and the other side the underlying restriction of special aesthetic practice and cultural mentality to literature writing.
出处
《成都大学学报（教育科学版）》
2008年第10期119-122,共4页
Journal of Chendu University:Educational Sciences Edition
关键词
卓文君故事
琴挑
私奔
演绎
the story of Zhuowenjun
Scenarios of music allurement
elopement
transformation
