摘要
王安忆的《长恨歌》描写王琦瑶的晚年生活时,引入张永红这一特定人物形象,不仅引出王琦瑶悲剧性的结局,也表达了改革开放初期上海独特的城市文化精神。旧上海的底蕴―本份、知足与自知是作者通过张永红这个人物形象极力要抓住,但已散落于城市的各个角落的城市的心,代之而起的是都市发展无序时期的喧嚣浮躁。张永红的一颗心就是这样悬浮于新与旧之间。对张永红这一人物形象的刻画,体现出作者王安忆沉入到"芯子"里去的城市文化的缅怀精神。
When the writer Wang Anyi portrayed the character Wang Qiyao and his later year＇s life he described the particular figure image of Zhang Yonghong, thus it is not only to introduce the tragic end of Wang Qiyao, but also the unique city cultural spirit of the initial time of the reform and opening up to the world in Shanghai.In old Shanghai,residents were very honest and law-abiding.The writer tried his best to collect the scattered minds in every corner of the city by means of describing the image of the figure of Zhang Yonghong. However, there were much noise and disorders on impulse and confusions in the urban area.Zhang Yonghong＇s heart was suspended on the edge between the new and the old, To picture the image of Zhang Yonghong reflects the author＇s detailed portray the ＂core＂ of the city.
出处
《湖南城市学院学报》
2008年第5期71-74,共4页
Journal of Hunan City Univeristy
基金
湖南省哲学社会科学立项课题(0606007A)
湖南省教育厅立项课题(07C197)
关键词
张永红
上海弄堂
悬浮
都市演绎
Zhang Yonghong
hall in Shanghai
suspended
narration of urban area
