摘要
以西方叙事学关于叙事视角的研究成果为理论参照,将"三言"置于中国古代小说发展的大背景中,重新审视和探究,可以发现:"三言"在叙事视角的调动上,更显娴熟灵动。它不仅强调视角的静止,突出其凝固性、稳定性、重复性,而且更强调视角的运动,突出其转换性、更替性、流动性,形成了"静"与"动"和谐统一的独特风格。
The paper takes the research fruits of perspective in western narration as the theory reference object, then puts ＂Sanyan＂ under a setting of the development of ancient Chinese novel, examines and probes in a new way; it can be found that ＂Sanyan＂ is more mature and adroit in the wielding of perspective. It stresses not only the statics of angle, projects its stagnancy, stability and repetition, but the motion of the perspective, projects its transition, substitution and mobilization, and thus forms the particular style with harmonious unity of ＂statics＂ and ＂motion＂.
出处
《河北北方学院学报（社会科学版）》
2008年第5期1-5,共5页
Journal of Hebei North University：Social Science Edition
