摘要
肖斯塔科维奇的第七、第八和第九交响曲被称为"战争三部曲",产生在第二次世界大战悲观主义思潮的语境下,作品中一脉相承的悲剧性使其美学特征与特定主流意识形态下的审美趣味发生了严重错位,使作品超越了狭隘的审美时空而获得了更为恒久的价值。而悲情与人性相互交织的特性成为了解读"战争三部曲"的关键所在。
The 7th, 8th and 9th Symphony of Shostakovich, the ＂Triad of War＂, was composed in the passive context in World War Ⅱ. The tragic aesthetic traits of the works did not match the ideological mainstream well, which made the works go beyond the narrow aesthetic space and get the permanent value. The involvement of pathos and humanity is the key to interpreting the ＂Triad of War＂.
出处
《曲靖师范学院学报》
2008年第5期122-125,共4页
Journal of Qujing Normal University
