摘要
21世纪的文化现象值得我们关注,这其中"昆曲文化现象"是特别显著的一个事例,作为一种历史悠久的戏曲艺术,2001年5月18日昆曲被联合国教科文组织列为首批"人类口头与非物质文化遗产代表作"。几年来,关于昆曲的抢救、保护、传承与发展成为政府与社会普遍关注的话题,围绕着昆曲的表演、演员、剧目、讲座、整理、研究和出版等形成"昆曲热",出现了"昆曲文化现象"。一、昆曲文化现象:现代化进程中的昆曲现象与传统文化;二、青春版《牡丹亭》:昆曲发展的实例及启示;三、继承与创新:辩证中的悖论与误区;四、昆曲文献整理与理论研究;五、21世纪的昆曲定位与发展。
Some cultural phenomena in the 21st century deserve our attention, among which Kun Opera is a typical example. As a genre of drama with a long history, Kun Opera was listed officially by UNESCO as the spoken and non- material cultural heritage on May 18th, 2001. Over the last few years, there has been much talk about excavation, protection, succession and development on the part of the government and the public at large. Naturally there shows some zest centering round its performance, actors, lists of plays, lectures, collection, academic research and publication, the so called cultural phenomenon of Kun Opera. Such phenomenon is reflected in the following five areas： first, Kun Opera Phenomenon： Kun Opera and traditional culture in the course of modernization; second, The Peony Pavilion in its youth version： a case of Kun Opera development and revelation; third, succession and innovation： dialectical paradox and mistaken direction; fourth, collection of Kun Opera literature and theoretical research; fifth, the position and direction of Kun Opera in the new century.
出处
《文化艺术研究》
2008年第1期163-169,共7页
Studies in Culture and Art
关键词
昆曲
文化现象
青春版《牡丹亭》
继承与创新
Kun Opera
cultural phenomenon
The Peony Pavilion in youth version
succession and innovation
