摘要
闽南民间寺庙的艺术元素分别在建筑、雕刻、绘画、楹联、音乐诸方面充分表现,运用自如,巧妙配搭,其艺术特色可归纳为:一、世俗化。神性被淡化,神人之间界限较模糊,反映闽南人文性格中务实、理性的一面。二、伦理化。即宗教艺术与伦理教化相渗透,主要指向为封建正统文化理念———儒家的传统道德,甚至在很大程度上脱离神本体,成为独立的伦理艺术存在。三是区域化,具本地区的独特风格。艺术创作的材料本地化,内容表现本地化,艺术创作手法本地化。四为综合化,指把各种艺术形式综合运用以调动信众的视觉、嗅觉、触觉、听觉,烘托渲染宗教氛围。因此,在闽南民间寺庙乃至分香台湾的民间寺庙。信众感受到的远远不只是宗教的奥秘与魅力。
The folk temples in Minnan District have been showing vitality for hundreds of years, with their unique forms, channing artistic factors and belief connotation mingled with the folk psychology. Their artistic factors are fully reflected in architecture, sculpture, paintings, doublets, music and so on. Their artistic features can be expounded as follows. First, popularization ： gods have been popularized so that gods and humans are mixed together, which shows the down - to - earth characteristics of Minnan people. Second, ethicality： the religion, art and ethic are permeated into each other. Third, regionalization： the folk temples have the regional features. Last, combination： all the artistic forms are combined and utilized.
出处
《华侨大学学报（哲学社会科学版）》
2008年第4期78-87,共10页
Journal of Huaqiao University(Philosophy & Social Sciences)
基金
教育部人文社科基金(06JA730004)
关键词
闽南
民间寺庙
艺术特色
Minnan District
folk temples
artistic features
