摘要
随着人类社会文明的高度发展,市场经济产品的同质化和全球化趋势加剧,在经济领域竞争过程中,已不再停留于产品初级使用功能和同化品质层面的竞争,而逐步演化为设计能力体现出来的文化特色和审美情趣高层次方面的尖端竞争。这就促使艺术设计产业中设计对民族文化艺术精神的衍生再发现和民族审美传统符号的追根溯源式再创作尤为迫切。文章将着手于从稳定和影响中国社会千百年的"中庸之道"精神文明系统对中国艺术设计视觉系统的交集部分进行讨论,对中国艺术精神与艺术设计教育,本土元素与艺术设计原创艺术性的后传统现象进行理性的思考和探析。
Along with the development of the civilization of human species, homogenization and globalization of market economy are also approaching. The competition in the economic market is no longer about the primary usage and quality of products. It＇ s the competition of culture and beauty reflected by the designing of products. This transition makes it urgent to rediscover the national cultural arts and to reinvent the national aesthetic symbols. This article discusses the intersection between the golden mean which has influenced Chinese society for thousands years and the Chinese art designing visual system. It further analyzes the relationship between Chinese art spirit and art designing education. A reasonable thinking would be conducted to discuss the influence of local uniqueness on the art designing to promote the original artistic post -traditional phenomenon.
出处
《重庆大学学报（社会科学版）》
CSSCI
2008年第6期118-121,共4页
Journal of Chongqing University(Social Science Edition)
关键词
中庸之道
艺术设计
中国概念
文化基因
设计伦理
golden mean
art designing
Chinese concept
cultural gene
designing theory
