摘要
三星堆文化中的器物造型各异,祭祀崇拜活动丰富复杂,但都贯穿着祖先崇拜这一主脉。祖先崇拜是三星堆文化造型艺术的一个"母题",其自然崇拜的艺术造型中隐含着祖先崇拜的信息,图腾崇拜的艺术造型中传达着祖先崇拜的先声,人像群的造型更是直接以人的容貌来象征祖先的形象。从自然崇拜、图腾崇拜到祖先崇拜的过程,是古蜀人不断强化人的尺度的过程。由此其造型艺术的审美风貌也呈现为"张扬之美"。
The sculpts of the wares and substances in Sanxingdui Culture differ greatly and there are a wide variety of sacrifice and worship activities. All these reflect ancestor worship. Ancestor worship is the major theme of the plastic arts of Sanxingdui Culture. The artistic sculpts in nature worship contain ancestor worship. The artistic sculpts in Totem worship convey the message of ancestor worship. The sculpts of the human icons create the image of the ancestor through the human appearance. The process from nature worship, Totem worship to ancestor worship is continuously strengthening humans. Hence,we can see the ＂Beauty of Magnifyingness＂ in its plastic arts.
出处
《武汉理工大学学报（社会科学版）》
CSSCI
北大核心
2009年第1期107-111,共5页
Journal of Wuhan University of Technology:Social Sciences Edition
基金
教育部人文社会科学项目课题"三星堆文化的审美特征"(07JD760001)
关键词
三星堆文化
造型艺术
祖先崇拜
张扬之美
Sanxingdui Culture
plastic art
ancestor worship
beauty of magnifyingness
