摘要
我国的民间手工艺研究基本可分为三种范式——关注艺术本体研究的艺术学范式、关注民俗场域中民间手工艺的功能和意义的民俗学(民艺学)范式,以及将民间手工艺作为社会文化子系统的艺术人类学研究范式。每种范式具有不同的研究旨向与特点,从而使民间手工艺在不同学科的"透镜"下显示出不同的"色彩"。
The research on folk handicraft in China can be divided into three basic paradigms, namely the art paradigm concerned about the art noumenon, the folklore paradigm on the function and significance of handicraft in the field domain of folklore, and the artistic anthropology paradigm regarding folk handcraft as a subsystem of the socio - cultural system. Each paradigm embraces different research purposes and characteristics. Hence the folk handicraft takes on different looks in different disciplines.
出处
《浙江艺术职业学院学报》
CSSCI
2008年第4期80-83,共4页
Journal of Zhejiang Vocational Academy of Art
关键词
民间手工艺
研究
范式
folk handicraft
research
paradigm
