摘要
盖格尔是德国现象学美学的主要代表之一,他运用现象学的观点与方法反思和批判了西方传统美学的二元对立的思维方法和认识论模式、心理学模式,确立了现象学艺术意味论。现象学艺术意味论,具体研究了文学艺术的价值关系、文学艺术的各种意味、文学艺术与审美活动的关系,对德国文学思想转向现代具有重要作用。
Geiger is on of the main representatives of German Phenomenological aesthetics. He uses Phenomenology viewpoints and method to reflect and criticize western traditional thinking method of binary opposition, mode of epistemology and psychology. Then he establishes theory of Phenomenological artistic meaning. Theory of Phenomenological artistic meaning studies value relationship of literature and art, all sorts of meanings of literature and art, relationship between literature and art and aesthetic activity. It has important effect on German literal thoughts turning to modernity.
出处
《安徽师范大学学报（社会科学版）》
CSSCI
北大核心
2009年第1期84-89,共6页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
基金
教育部人文社会科学重点研究基地重大项目(05JJD750.11-44207)
关键词
现象学
盖格尔
艺术意味论
Phenomenology
Geiger
theory of artistic meaning
