摘要
一直以来,学术界对于许浑诗歌风格的研究都局限于其雄浑、豪放等特征上,而实际上,面对晚唐王朝日益衰败的局势,在儒、释、道思想的交互影响下,昔日的"晚唐铮铮者"许浑一改往日雄浑豪放的诗风,诗歌创作风格为之一变:积极的"入世"思想与逐渐凸显的"出世"思想相互交织;对山林田园的倾心取代了对重大事件的关注;"清新"的水意象取代了饱含历史韵味的意象;清词丽句取代了雄健豪放之语,使作品在立意、题材、意象、语言方面呈现出有别于"铮铮"的清新幽怨之诗风。
In Xu Hun's poetic style studies,the academic community is always limited to the characteristics such as vigor and boldness.However,facing the deteriorating situation of Late Tang Dynasty,and under the thought interacted by Confucianism,Buddhism and Taoism,'the late Tang clank' Xu Hun changed his poetic style from powerfulness and boldness to freshness and hidden bitterness,and his Poetic Creation presents a new look: the thoughts of actively 'going into the world' and gradually prominent 'beyond the world' are interweaved;replacement of major events of concern by the mountain rural focus;replacement of historical imagery by 'fresh' water images;replacement of bold language by lucid and elegant style,and therefore his poems present a new different style in conception,theme,image,and language.
出处
《中北大学学报（社会科学版）》
2012年第3期83-85,90,共4页
Journal of North University of China：Social Science Edition
关键词
清新
幽怨
许浑
诗歌风格
freshness
hidden bitterness
Xu Hun
poetic style
