摘要
鲁迅散文诗集《野草》受日本传统美学思想影响,在植物审美观、无色自然观、"知物哀"方面建构了诗艺的空寂美,体现了诗人心灵境界"空性"、"无分别心"的层面。
The prose Wild Grass by Lu Xun is imfluenced by Japanese traditional aesthetics. It constructs the beauty of transcendency of poetry from the perspective of aesthetic standards of plant, natural standards of colorlessness and the spiritual sustenance of feeling of objects. This prose also reflects the aspect of transcending the worldly society and holding aloof in the world of poet＇s spirit.
出处
《齐齐哈尔大学学报（哲学社会科学版）》
2009年第3期81-83,共3页
Journal of Qiqihar University(Philosophy & Social Science Edition)
基金
黑龙江省教育厅人文社会科学研究项目"新世纪<野草>研究的现代转型以及多学科多方法交叉综合考察的可能性"项目编号[10532122]
关键词
《野草》
空寂美
空性
Wild Grass
beauty of transcendency
the worldly
